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Sharon Hayes' 'Ricerche: three' at the Baltimore Museum of Art highlights the inherent problems with political discourse and power

Sharon Hayes' 'Ricerche: three' at the Baltimore Museum of Art highlights the inherent problems with political discourse and power

Inspired by Pier Paolo Pasolini's 1964 documentary "Comizi d'amore" (translated as "Love Meetings"), which took a loose, cinéma vérité approach and questioned people on the street about sex, gender, sexuality, and feminism, Sharon Hayes' 38-minute film "Ricerche: three," screening at the Baltimore Museum of Art's Black Box through Oct. 11, gathers 35 Mount Holyoke students together to share their experiences at a women's college and questions them about those same issues.

The diverse group brings numerous perspectives into the discussion and their discourse moves fluidly through a number of issues: from general...

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